Till Hasbach 水兔老師節奏手風琴工作坊

課程內容：
三四拍之外的複節奏及手風琴左右手節奏組合變化
Content: " Rhythms beyond 4/4 and 3/4, Poly-rythmics and the rhythmical combination of right and left hand"  

課程包含了東歐節奏、爵士和弦、當代音階及旋律。如何在手風琴上演奏不同風格之音樂？
一個適合初學至進階的工作坊，讓你的手風琴彈奏起來像一整個管弦樂團。

​課程內容：
三四拍之外的複節奏及手風琴左右手節奏組合變化
Content: " Rhythms beyond 4/4 and 3/4, Poly-rythmics and the rhythmical combination of right and left hand"  

課程包含了東歐節奏、爵士和弦、當代音階及旋律。如何在手風琴上演奏不同風格之音樂？
一個適合初學至進階的工作坊，讓你的手風琴彈奏起來像一整個管弦樂團。
第一主題：節奏

"Eastern european rhythms,Jazz-chords and modern scale melodies, How to cross over diverse music styles on the most powerful music instrument, the accordion "
A workshop for beginners and advances on how to get the most out of your accordion, and make it sound like an entire orchestra. 
Focus 1. Rhythmics.

課程語言：中英文混合上課
Language: Chinses and English

課程日期：12/3~1/21 (12/24,31停課) 共六堂
Dates: 3rd 12/3~1/21 (break on 12/24,31) total 6 courses

課程時間：19:30~21:30
Time: 19:30~21:30

課程費用：4800
Price: 4800
(11/16前報名繳費完畢享早鳥優惠九折)
(Early Bird 10% off befor 11/16)

報名請來信：
vincentaccordion@gmail.com
註名姓名、電話、報名課程
Registration:
vincentaccordion@gmail.com
Email with your name, mobile no., course name

關於水兔老師：
來自德國柏林，旅居世界各地演奏"融合民謠"曲風的手風琴，自世界音樂、複節奏、爵士、現代、甚至流行以及饒舌樂融合為一跨界演奏家。

About Till Hasbach:
An Accordionist from Berlin Germany, travelling the world and playing a unique style of accordion, which could be called “folkfusion”. It is based upon combining elements of a variety of different World-music folk styles, polyrhythms, Jazz- music and modern elements, even pop or rap music.

詳細課程內容：
【節奏遊戲】5/4拍巴西歌曲，兩種拍子之融合
【節奏玩家】將3/4曲目彈奏成4/4拍，或反之
【複節奏】認識及感受複節奏
【民族風味】感受巴爾幹、印度、中東音樂，如7/8或10/8拍

Content in Detail:
" Rhythms beyond 4/4 and 3/4, Poly-rythmics and the rhythmical combination of right and left hand"  
Starting with an interesting but fairly easy to learn Brazilian song(the one I showed you) in 5/4, which then also has a polyrhythmic part, which starts fairly easy and then could be expanded based on the level. 
I would explain, how though the implementation of a new rhythym onto an existing melody the emphasis in every barre gradually changes.
Further I'd then like to apply the polyrhythmic viewpoint on songs your students already know in 2 different ways: 
a.) Change the entire song from 3/4 into 4/4 for example. 
and/or
b.) Underly a new rhythm but keep the melody's rhythm, so that the song get's a twisted change different feeling, while being played melody wise entirely the same. 
Last, I simply would love to show and teach some techniques on how right and left hand together can form a rhythm, to give more interesting accompany option on songs with others. 
That should definitely fill the time, needed. 

A possible addition, how to change rhythm of a beat by subdividing it differently
A 123, 12, 12 rhythm in a 7/8 beat
might reversed into 
12 12 123, to also change emphasis in the music. 


報名請來信：
vincentaccordion@gmail.com
註名姓名、電話、報名課程
Registration:
vincentaccordion@gmail.com
Email with your name, mobile no., course name

匯款帳號 
台灣銀行004 南門分行 
033001003243 
戶名：巍聲國際藝術文化事業有限公司

洽詢請寫信至
vincentaccordion@gmail.com
或電02-27370229 / 0939148132